Eagles Soar
Artist Name: Sandy B
Jan 27, 2025Artist Name: Sandy B
Jan 27, 2025Artist Name: Shaunte Gates
Jul 15, 2018Artist Name: Vinnie Bagwell
Jul 15, 2018Artist Name: Courtney Savoy Harper
Apr 14, 2025Artist Name: Courtney Savoy Harper
Apr 14, 2025Artist Name: Courtney Savoy Harper
Apr 14, 2025For feature artist of the month (women’s history month is March). Feature Artist of the Month: Alma Thomas Let’s talk about color. Not just color, but joy—joy bursting through the canvas like a firework finale. You walk into a room with an Alma Thomas painting, and it’s like someone just threw open the curtains on the sunniest day of the year. A symphony of reds, blues, and yellows that dance, flicker, and hum, like jazz in visual form. But here’s the thing—Alma Thomas wasn’t just making pretty pictures. She was a disruptor, an innovator, a woman who waited half a century before the art world even had the sense to notice her. She didn’t have the privilege of being a young, reckless artist, taking over New York lofts and breaking the rules at 25. No—she was a Black woman from Columbus, Georgia, who spent 35 years teaching art in Washington, D.C., before she finally gave herself permission to create full-time. And when she did? Boom! She became the first Black woman to have a solo exhibition at the Whitney Museum of American Art in 1972—at the age of 81. Let that sink in. At a time when most people are slowing down, Alma Thomas was just warming up, shattering ceilings with nothing but a paintbrush and a whole lot of vision. Her signature? That rhythmic, mosaic-like application of color—small, deliberate strokes that come together in an almost meditative arrangement. Think Seurat meets stained glass meets cosmic energy. Her work took inspiration from everything—gardens, space travel, music, the shifting light of the day. But mostly, her paintings were about possibility. About looking up, moving forward, never letting the world define your limits. Today, her work hangs in the halls of the Smithsonian, MoMA, and The White House - a testament to what happens when you stay true to your vision. And let’s be honest: if Alma Thomas can start a world-changing career at 70, what’s stopping you? See Her Work - *Alma Thomas’ Portrait:* [Alma Thomas – Smithsonian Archives](https://npg.si.edu/object/npg_NPG.77.305) - *"Resurrection" (1966) – In The White House Collection:* [Alma Thomas – White House Historical Association](https://www.whitehousehistory.org/photos/alma-thomas-resurrection) This Women’s History month on ARDI.art, we celebrate Alma Thomas—the artist who proved that creativity has no expiration date and that art, at its best, is a radical act of joy.
Washington DC
Feature Architect of the Month: Zaha Hadid Let’s get one thing straight—Zaha Hadid wasn’t here to play nice. She wasn’t interested in making buildings that just sat politely in the background, blending in. No, her architecture swaggered. It defied gravity, laughed in the face of right angles, and made the whole industry look up and say, “Well damn! She ATE!” Born in Baghdad, Iraq, in 1950, Zaha Hadid was a force of nature long before the world caught on. She wasn’t just drawing buildings—she was sketching movement, sculpting impossible curves and flowing, organic forms that felt like they were built by the wind, not by human hands. She saw the future, and when people told her it couldn’t be done, she did it anyway. And yet, for years, she had to fight for every opportunity. The traditional world of architecture didn’t exactly roll out the red carpet. They called her designs “unbuildable,” dismissed her as too radical, too ambitious, too much. But Zaha? She had zero interest in playing by their rules. She wasn’t here for permission. Then, in 2004, she shattered history, becoming the first woman to win the Pritzker Prize, architecture’s highest honor. From there, it was an avalanche: the Guangzhou Opera House, the London Aquatics Centre, the Heydar Aliyev Center in Azerbaijan—each one a masterpiece, a bold, fluid, gravity-defying screw you to the doubters. Zaha Hadid didn’t just design buildings. She changed the language of architecture. She made it daring. She made it feminine without apology. She made it fearless. And let’s be real—if the world had a little more of that Zaha energy, it’d be a hell of a lot more interesting. This Women’s History Month, ARDI.art celebrates the one and only Zaha Hadid—a woman who proved that architecture wasn’t just about buildings. It was about power. Vision. And never taking “no” for an answer.
Baghdag, Irac
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